Tuesday, June 22, 2010

How Can We Pull Out of the Recession?

Q. What is a recession?

A. It is a period in which the middle and working class have less money to spend, and as a result, those who earn money when consumers buy things also earn less. As car dealers sell fewer and fewer cars, they have to let go of sales associates, and the sales associates in turn can't afford to buy furniture, and the furniture stores close causing more layoffs etc. etc.

Q. It sounds like the general public is running out of money. If almost nobody has any money, how can the economy keep going?

A. Well, it can't. People draw on their reserves, and once these are gone more and more activity comes to a halt.

Q. What about the government? Can't the government create jobs?

A. Yes, it can. It can create public works projects.

Q. So why can't the government start more and more projects and get people get back to work so that the recession ends?

A. As long as government infuses more and more money into society, there will be more and more activity. And more activity does mean more jobs. More jobs gives people more money to spend. As more is spent more taxes are collected, and with more tax revenue coming in the government can start even more projects with the result that more people get back on their feet.

Q. But there are those who say it's time to pull back on spending to make the economy healthy. What's wrong with that?

A. A society with a bad economy is like a person who is sick. If someone is sick because he or she is starving or dehydrated, it makes no sense to save on food and water just so his personal budget is balanced. If you need to make debts to keep someone alive, you don't ask whether or not money spent on recovery increases size of the person's debt.

Q. Are you trying to suggest the government should simply print more money and hand it out to the public without any limitations?

A. That is not the way to go. The government has incredible investigative and research capacities. A major part of the money lost in the last two to three years was lost through high risk speculation. Speculation is a form of gambling, and gambling there is always a winner and a loser. Government investigators and researchers need to find out who the winners in the financial contest are, and where they are hiding their money.

Q. This just does not make sense. Can you give me one example of who might be a winner in the market collapse we have just seen?

A. Examples of winners are those who made bets that the housing market would fall. Betting in the financial market place is done through derivatives. A speculator buys bonds or funds that pay off in case of a market fall. Once the market has actually fallen, he quietly picks up his cash. Most people don't know such speculators exist, let alone how they operate. The source of the money lost through gambling is to a great extent money gotten from people who listened to deceptive investment advice. Deception is a first cousin to fraud. Money fraudulently acquired is stolen money, and once stolen goods end up with an even unknowing buyer the goods once found are to be returned to the person they were stolen from.

Q. Are you saying that those who gambled against people's investments are in actuality beneficiaries of stolen goods?

A. Maybe not directly within legal terms. But they are benefiting from the hardships that were bestowed on innocent people. Without fraud and deception, the gamblers betting on a market downturn would have had nothing to gamble with. So the government needs to find creative means to get back that which was stolen.

Sunday, June 13, 2010

Life Is But a Stage

Life is but a stage, and we are all actors. As actors we assume characters, and as characters we relate to other performers in accordance with the parts we and they play. We may feel love or hate, respect or contempt, or any other emotion toward others as the script demands. To be an effective actor, you need to believe in and then become your own character and relate to others as being real. If the script demands that you detest one of the other persons on the stage you need to do so for the sake of the performance. But the danger is that if you very strongly identify with the character you are playing, you may become the on-stage character off-stage.

Can this create a problem in one's life? Yes, if you forget that you and your fellow actors are only playing parts demanded by the script. If the scenario calls for your character to hate another character in the performance, you need to remember that what takes place on stage is only an act, and that your fellow actors are human beings with their own paths through life.